Expose’ Explores the Depiction of Native Americans in Hollywood
If you think blacks and Asians have been given a raw deal over the years by Hollywood in the way they’ve been portrayed in pictures, then you should reflect upon the hateful, harmful depictions of Native Americans on film. For, this beleaguered ethnic group has generally been stereotyped in very limited fashion, namely, as a people deserving of extermination or being driven to reservations.
In most movies, Indians are bloodthirsty savages who get wiped near the end, typically right after you hear the bugle signaling the arrival of the cavalry. My impression of this country’s indigenous peoples was so perverted by exposure to Westerns that one of my favorite childhood pastimes was to play “Cowboys and Indians,” an activity in which I took pleasure in fantasizing about killing folks with red skin.
An important aspect of learning is to unlearn propaganda, and this is particularly important for minorities in the United States. That is one of the salient points driven home in Reel Injun, a telling documentary co-directed by Dustin Diamond, Catherine Bainbridge and Jeremiah Hayes. For in this eye-opening expose’, they interview fellow natives who shamefully admit that they had grown up cheering for the white man while watching Westerns.
Such is the power of cinema, that even the descendants of the original inhabitants of this country could easily be manipulated to embrace as heroes the Europeans who had slaughtered their ancestors. That’s because, “The only good Injun is a dead Injun” was an unchallenged, recurring theme so pervasive that no one seems to discuss the legitimacy of the ethnic cleansing which decimated the ranks of every native tribe across the nation.
By contrast, the Native American activists interviewed here, make the most of the opportunity to correct the flawed accounts of “How the West was won. Typical, are the remarks of the sage elder who observes that the only thing more pathetic than the Indians playing stereotypes in Westerns are the Indians willing to watch Indians playing stereotypes in Westerns.”
A powerful, mythbusting documentary which manages to humanize America’s unfairly-marginalized indigenous peoples, albeit belatedly.
